How loud should my kick drum be?
Start by setting the snare fader at 0 dB and bringing the rest of the drum mix in around it.
Next, bring the kick fader up until it sounds almost as loud as the snare.
It should be loud enough that the low frequencies are rich and powerful, but not so loud that it masks the bottom-end of the snare drum..
How much compression should a drum have?
Compression can be tricky, but it’s one of the keys to achieving a modern drum sound. It’s common to apply between 3-6 dB of gain reduction to the kick and snare.
What does attack mean in drums?
Attack is the sound of the stick hitting the drums. Sustain is how long the note of the drum lasts for. A deep tone or a warm tone usually has a good sustain to it.
How loud should my master be?
2. Your music will get turned down if it’s louder than -14 LUFS. Going for a more dynamic and punchy mix will sound better than an over-compressed, distorted master. I personally like to keep my clients music no louder than around -8 short-term LUFS during the loudest part of the song when I’m mastering for Spotify.
How loud should the bass guitar be in a mix?
Typically, without tons of compression the kick and bass and vocals should be hitting very close to 0dbFS. The snare about -3 to -6dbFS. Then mix everything else to match. Then turn down all the tracks down the same amount at the same time until the master channel reads about -3db max.
How many dB are drums?
119dBSo, how many decibels loud is a drum set and cymbals? A drum set and cymbals is on average 119dB but can range between 90 and 130dB (decibels) depending on what instruments are being played.
How do you equalize a kick drum?
One great EQ trick to try if your kick isn’t cutting through the mix is to boost the upper mids. You can be a little aggressive with it to help you find the right frequency to boost. Find the frequency that gives you the shape/tone you’re looking for. Then adjust the gain to a level that sounds good to your ears.
How do you compress a kick drum?
Start with the compressor with a fast attack (10 ms or less), fast release (50 ms or so), and pretty large ratio, say 5:1 or so. Now play a part of your song where the kick and bass play at the same time. Set the threshold low enough so that you get around 6 dB of compression on the bass every time the kick hits.